Posts Tagged 1969
Aaron Paul Lazar’s latest mystery in his long-running Gus LeGarde mystery series is SPIRIT ME AWAY. The time is 1969, the place is (mostly) Boston, Gus and his newlywed wife Elsbeth are college music students, and they encounter a strange, yet hauntingly beautiful young woman named Valerie — just Valerie — who’s lost her memory and most of her belongings, and is in need of a family, stat.
Now, Gus and Elsbeth may be young, but they have strong familial instincts. Because of them, they can’t leave her at a hospital and forget about her, as many would . . . besides, Gus has a talent for solving mysteries, and the mystery of just who Valerie is won’t let him go.
So Gus and Elsbeth bring Valerie into their lives, and into their apartment. They feed her, nurture her, and try to figure out who she is and where she came from. They want her to find her family, if she has one; until then, they will be her family.
Besides, it’s not as if they don’t already have a family of sorts around them already. There’s Byron, a black British tenor from the music school, a love ’em and leave ’em type; Lana, a sexy young Latina whose job as a “waitress” isn’t all that it’s cracked up to be; and Porter, a young Vietnam vet Elspeth works with. The first two are Gus and Elsbeth’s roommates, while Porter seems to be a frequent visitor.
All five of them take a solid interest in Valerie, because she truly needs the help. And over time, they find out about just enough of Valerie’s past to sincerely upset them. Valerie herself is good, but the people who’ve been in her life in the not-so-distant past definitely aren’t. And white slavers have targeted her for an acquisition due to her ethereal beauty, too . . . how will they keep Valerie away from such dangerous people, especially considering the fact that Gus is decidedly nonviolent?
All of this is a great deal of plot to handle. But it doesn’t feel unwieldy thanks to how thoroughly Lazar grounds SPIRIT ME AWAY in reality. First, Gus and Elsbeth’s romance is realistic and earthy — hey, they’re newlyweds! — and gives a very solid sense of who they are. Second, because they’re both “foodies,” the need for comfort food comes into play often. (Never underestimate the power of this, not in books, not in real life.) Third, there truly was a problem with white slavery in the late 1960s in many big cities, Boston among them, partly due to the nature of the times. And fourth, because Gus and Elsbeth already have many friends around them, it truly doesn’t seem like a hardship for them to add one more in Valerie.
So will Valerie find out where she comes from and who she is? Will her nascent romance with Porter bear fruit? And what does Woodstock (yes, that Woodstock) have to do with it all?
I enjoyed SPIRIT ME AWAY quite a bit. There’s a lot of plot here, some wonderfully realized characters, a goodly amount of romance, a whole lot of suspense, and it’s not quite as cozy a mystery as most of the others in the LeGarde mystery series (a mystery with white slavery as one of its components probably couldn’t qualify as a cozy anyway, methinks). But it’s a fast, fun, and furious read with some really good characterization and a number of excellent musical references.
Bottom line? Whether you’ve read any of the Gus LeGarde series before or not, you should enjoy SPIRIT ME AWAY if you love mysteries — particularly mysteries mixed with a dash or two of romantic suspense.
— reviewed by Barb